Numerous churches across England have beautiful and ornate stained glass windows, many depicting stories from the Bible, some simply as decoration and some describing the lives of Saints, heraldry or angels. They are from a wide range of periods and cover a range of styles, although in each, lead framing provides the medium in which the glass is held together to form the window as a whole.

Each one is made from delicate and fragile glass, and although very decorative, they are vital to the churches integrity and to prevent water ingress. The oldest in-situ window dates back to the 12th Century, but fragments of glass have been found dating as far back as the 7th Century, when they were excavated at two  monastery sites in both Monkwearmouth and Jarrow, both in Northumbria, in Northern England.

However, with the decline in the need for stained glass windows, the skill of making them has also declined. Thankfully though, due to the need for restoration and demand from modern churches, some skilled professionals do still make and restore these delightful pieces of art.

Stained galls windows have also been used more recently in the post war period as memorials to various bases, squadrons, and personnel who were lost during the Second World War, and these are just as ornate and delicate in their design as their original forbears.

Examples of these windows include those at: Grafton Underwood, Gransden Lodge, Graveley, Great Dunmow, Warboys and Steeple Morden to name but just a few.

A more recent example, and probably the most intricate one I’ve seen, is the memorial window in the Norman church St. George’s, Anstey, in East Hertfordshire, not far from the former RAF Nuthampstead, previously an American bomber base and the airfield to which it applies.

The window itself – dedicated in 2000 – was designed by Patrick Reyntiens, himself a veteran whose artistic career includes work at Westminster Abbey, Coventry Cathedral and the Washington Cathedral in Washington DC. He took his inspiration for this window from the Old Testament, in particular the journey of the Israelites out of Egypt, and when designing the window, split it into three separate panels.

The right panel depicts a pillar of fire, which led the Israelites by night. It is intertwined with B-17s utilising the fire to show the chaos and violence from which the crews emerged after their daylight bombing raids. Each B-17 shows the tail identification letter and the red wing and tail stripes of the 398th BG. The left panel portrays a pillar of smoke, from Exodus in the Old Testament, which led the Israelites by day, and again depicts the B-17s of the 398th as they perform their daylight operations. The centre panel, is a series of flying butterflies, mainly in silver, and symbolise the flight and transformation of the soul after death; something that occurred to all squadrons and bomb groups of the allied Air Forces.  A close look at the window will reveal several of these butterflies are yellow, each forming part of a huge cross whose arms stretch out across the top of the window encompassing three birds.

What is particularly significant about these butterflies is that twenty-eight of them hold the names and squadron number of all those who lost their lives whilst serving with the 398th BG at Nuthampstead.

In all, there were 278 men killed on operations, with a further 10 either killed on base or in transit from the States, and another 7 killed whilst training in the United States – 294 personnel in total.

St. George’s church was itself involved in the war when a B-17 from nearby Nuthampstead crashed into the castle mound located behind the church. No major damage was done to the church as the aircraft’s bombs did not explode, but, windows were blown damaged, the remnants of which are visible today.

The church can be found in the small village of Anstey, just south-west of the airfield site. To accompany the window, a booklet, free to visitors, has been complied by two, now very grown up, children of former 398th BG crewmen, Lee Anne Bradbury and Randy Strange. The booklet details every name on the window with details of its precise location within the butterflies. It also details each mission and loss statistic including those lost on training or whilst not on operations. It is a very useful and valuable addition to this amazing window.

Sources and Further reading.

A history and explanation of different window styles can be seen at the Ely Museum of Stained Glass Windows website.

Modern stained glass windows as memorials can be seen on the RAF and USAAF Memorials page.

RAF Nuthampstead appears in Trail 32.